Shonen Knife vs Eastern Youth @ Shibuya Club Quattro (19th Dec. '06)
More Fun Than a Sushi Bar
Osaka female power trio Shonen Knife may not be the most technical outfit around, but there is something about their no-frills approach and whacked out song titles that appeals to me. Only two songs in, and Naoko was already singing a "spam warning" (which regardless of whether it refers to the revolting processed meat product or the revolting processed willy enlargement email, I'm sure we can all relate to), immediately followed by "Flying Jelly Bean Attack". Unfortunately my command of the Kansai dialect isn't what it should be so I'm afraid I can't elaborate further on the exact nature of the attack, but apparently "When it gets dangerous, Call out for a rescue". In any event, it proved short-lived and non-fatal, so it was time for a visit to the sushi bar. A bit of crowd participation here, and during the song she managed to list every type of sushi I've never heard of, and a few I'm convinced she made up.
So far things had been conducted with the sort of energy you'd expect for songs entitled "Explosion" and "Flying Jelly Bean Attack", but the pace seemed to slow perhaps slightly for "Like a Salmon", swimming free and not sliced up in the aforementioned sushi bar, presumably.
The next few songs, particularly "Herbs" and "Kumo no Ie" (spider's House?) were delivered in a much mellower fashion and really highlighted the two part vocal work by Naiko and Ritsuko.
And then, of course, it was time for the Shonen Knife "Space Christmas", shortly followed by Etsuko's power house drums and "Girl's Rock" combining to be the cue for the crowd to go fully nuts. The gig basically then continued along at a frenzied pace and it was all over. Phew! 17 songs, and it's suddenly done!
Interestingly enough, although Shonen Knife are the guests of Eastern Youth tonight, I noticed that in a few weeks time, on their home turf of Osaka, things are reversed and Eastern youth are Shonen Knife's guests.
So, Eastern Youth next, and like Shonen Knife a band I have had the pleasure of seeing at Fuji rock festival in the past. What can you say about this crazy bunch? Another "Power Trio", yes most certainly, but with no disrespect to Shonen Knife, Eastern Youth are much more multidimensional.
They came on stage to a backdrop of totally over the top dramatic opera, with main man Hisashi Yoshino lumbering on under a cardboard robot monster head that he'd obviously spent the previous 30 seconds in the dressing room constructing. This he dismembered pretty rapidly, hurling the bits into the crowd, thus probably creating the most prized lumps of twisted cardboard box in Japanese entertainment history.
The operatics over with, Yoshino was handed the first of the two Yamaha SGs he would use for most of the evening, and part one of a pattern that was very quickly stamp itself immediately began to emerge. Before almost every single number, Yoshino staggered about the stage claiming, but more than likely feigning, the effects of too much sake, waxed poetical for a few minutes, cracked a few profoundly funny lines, and then crashed into the song.
Well I don't have much of an idea what he was on about, but judging by the reaction of the crowd he has a viable career ahead of him as a standup comedian if the bottom falls out of Eastern youth, however unlikely that looks.
And once the music started, you realize the delayed start is worth the wait. They may have started out as one of the original Sapporo Oi! punk bands, but unlike many of their contemporaries they have continued to grow musically, and these days purvey a brand of high energy rock but with more dynamic to their tunes than most bands in this genre. While undoubtedly very driven by Tamori Atsuya's drums and the thumpingly melodic bass of Tomokazu Ninomiya, almost all of the songs contain their subtleties.
Some of the best intricate fretless bass work was displayed by Ninomiya on the song "kakatonaru". Starting as usual with some clever little pings and slides at the top end to accompany Yoshino's philosophical hilarity, the actual tune was, for me, a display of fingerboard gymnastics that had me contemplating rushing straight from the gig to Ochanomizu to purchase a fretless precision myself and get to work on it. And all, I noticed, run through a Hiwatt 200 head, the amp of choice for many a bass wizard these days, and plenty of guitarists as well.
Eastern Youth have plenty to offer beyond the expected punk three piece thrash, and I recommend anyone finding them within viewing distance do so. I unfortunately had to drag myself away shortly before the end of this gig as the smoke levels inside Club Quattro were so I high I was in danger of spontaneously contracting cancer of the whole scheme of things. Other than that, another great night in Shibuya.
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