Jack Johnson w/G.Love & Special Sauce @ Osaka Zepp (29th May '05)
Bringing It All Back Home
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Old friends G. Love and Jack Johnson played to a rapturous Zepp Osaka crowd on May 29. G., from the streets of Philadelphia, and Jack, Hawaii born and bred, purveyed their respective funky blues rap and mellow beach grooves like true home boys should. The evening fairly reeked of Philly 'tude and cocktail umbrellas, uniting these strange bedfellows in the common pursuit of love.
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Indeed, G., tall and skinny in a tight brown suit over white t-shirt, began his set with the gentle "Love," playing solo acoustic guitar and harmonica and whistling tunefully, shouting out to "all the fellas and the ladies." Before sitting down to perform, he got on the audience's good side by announcing that he had been looking forward to takoyaki since his previous trip to O-town. The next few numbers elaborated on the moderately paced bluesy theme, as backup band Special Sauce joined G. on the stage to work the upright bass and drums for "Sunshine" and "Blues Music." Three tunes into the proceedings and the band had already quoted from three different albums, 1999's Philadelphonic, 2004's The Hustle, and 1994's eponymous debut.
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The pace picked up noticeably by the middle of the set, with a thumping rendition of "Small Fish" (from yet another album: 1995's Coast to Coast Motel). "Astronaut," the single from the most recent disc, was another highlight, a bangin' sonic experiment rooted in the 60s that also managed to hint at possible future directions for the band. By the time G. got to the clever and biting "Parasite" (2001's The Electric Mile), the crowd was clapping to the beat on every number. The hour-long performance culminated with the headman's inspiring harmonica jam and some funky, loose-limbed dance steps that would have done Elwood Blues proud. |

A handsome dude-next-door type formerly starring on the professional surfing circuit, Jack's friendly demeanor, sweet voice, and accessible songs make him the James Taylor of Gen X. Though I didn't see any children or grandmas at the show, it was easy to imagine such creatures bopping their heads along approvingly. To his credit, Jack had made a genuine effort to pick up some local lingo for the Nippon leg of his tour. Not only did he make his introductions in proper Japanese, but he even broke out some Osaka-ben, replying "Honma ni?" when female fans erupted at one point with, "I love you, Jack!" |
Following the Love's lead, Jack Johnson devoted himself largely to matters of the heart, but with more earnestness. Where his precursor had pleaded playfully with a lover, "Let's stay together like an Al Green song," Jack flatly acknowledged, "Love is the answer, at least to most of the questions in my heart." Comfortable in green t-shirt and blue jeans, he led his quartet (bass, drums, piano, plus his own guitar) through a 20-tune set before asking G. to join him for some shared encores.
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Song highlights included On and On's "Gone," "The Horizon Has Been Defeated" and "Holes to Heaven," along with In Between Dreams' "Better Together," "Good People," and "Breakdown," the last of which imbued some welcome variety into the musical mix by incorporating both ukulele and mouth organ. When G. Love reappeared for some duet treats at the end, the funky Philadelphian and the mellow beach boy proved themselves even Better Together, flowing mellifluously through the excellent "Rodeo Clowns" and a crowd-pleasing throwback to Kool & The Gang's "Holiday." |
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report by jab and photos by yegg
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