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With understandably much anticipation from his mind-blowing, sensational day-topping FUJI ROCK 2000 White Stage performance along with his latest effort '18' to pull from, the most famous bald man since Kojak and the true undisputed international man of fact and humanity returned to Tokyo to dispense his and his band's soul-drenching and healing lyrics and music. And healed we were for this very well could have been called MOBY's ark, not Noah's. And while at first perhaps reluctant, MOBY soon happily obliged us his coincidental 18-cut set for this first of 2 nights at Akasaka Blitz which had him and his international sonic apostles drawing chiefly upon his latest effort and 'Play', making us rejoice in our own heavenly, yet earthly salvation to their dexterous and creative cuts of dejection and inspiration, loss and gain, happiness and sorrow, pain and pleasure. Armed with his 4-piece band from FUJI ROCK 2000 completely intact as well as the lovely vocal addition of Miss Dianne Charlemagne, MOBY's formidable 5-piece continued its crusade and laid down its eclectic skills and talents to sculpt their own universal tapestry this night, leaving nothing sacred from their blender of techno, jazz, hip-hop, rock, funk, Latin, classical, blues, soul sound of seduction. And what pure delight was had by all those present for some down-home spiritual redemption. Whilst caged in this pristinely acoustic, yet antiseptic venue unlike his au natural past at FUJI ROCK, MOBY this night nevertheless remained intent to tap into those same inner mixed emotions which fill us each with a need to be heard and understood. Focused and defiantly energetic, he performed with a struggling, missionary zeal despite his somewhat obvious initial awkwardness due to his immeasurable anguish towards his beloved New York(he lives in Manhattan-see his diary at moby.com for more) in a week made most uncomfortable for anyone with close ties to September 11th. And for this very reason made this night a most intimate, cohesive, and therapeutic look behind the many minds and feelings of this wunderkind berated by many. |
| After his unusually uneasy and labored start behind the opening beautiful instrumental title cut from '18', MOBY quickly found and channeled his unique universal, yet eclectic creativity to conduct Tokyo's very own first true non-denominational musical service. Echoing his trademark "Thank you, thank you, thank you, thank you, thank you" throughout, we gladly reciprocated our gratitude to him and his band. Noticeably, some well-wished his birthday(ominously September 11th?!). His first relaxed smile and wondrous eyes emerged with the conclusion of"Go." Breaking his tension and any of those present still existing, helightened the heaviness of it all with his insistence on learning to say"hello" instead of "hi" in Japan for the difference of meaning of thelater in Japan. Apologizing numerous times for being an ignorantAmerican, the ever gracious, charming, and sensitive MOBY promised tolearn to not say "hi", which sounds exactly like "hai", Japanese for yes.The crowd gladly accepted and forgave his past unmeant miscommunicationsand eagerly awaited what was to follow and for good reason. |
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With a seeming cleared conscious and restored vision for the night, MOBY was back again in the unstoppable entertainer form to satisfy us with his immensely spiritual sonic tapestries. And again, as before at FUJI ROCK, we lay in willful submission to his aural and visual sermons with our thirsty barren souls. But did the pendulum swing too much? Too staid? Too serious? Not a chance my friends. Showing a range able only to be equaled by a select few on the face of this planet, MOBY brought out an impressive collection from his and others catalogs, showing no mercy with a few surprise covers and teasers as well. From the the Latin-house-gospel of "Another Woman" and heavenly journeying of "In my heart" to teasers of "Enter Sandman" and "Sweet Child O' Mine" to new favorites "We're all made of stars" and "Jam for the ladies," which included a comic, yet competitive deejay duel between MOBY and his very own spinster RJ, all the while all members sported massive afro's. With its split-decision conclusion, they cut back into long-standing favorites "Bodyrock" and "Honey." Naturally throughout as expected, MOBY remained in constant movement, running from side to side, back to front, instrument to instrument, like a child caught up in all the excitement of opening presents at Christmas, but unable to decide which one to open and go back to and when. Scott Joplin clearly had this guy in mind when he penned his classic "The Entertainer." He just didn't have the tempo right with this one. |
| But as always, the show can't go on forever and perhaps after the shortest ever wait for an encore(MOBY's not one for formalities after all you know), MOBY reemerged and dove into the pessimistic "Extreme ways." On odd choice perhaps, but he refused to let it stay that way by again by playfully acknowledging that he and his mates could play weddings and bar mitzvah if need be with their numerous covers, breaking into "Blitzkrieg bop" as their cover finale while perhaps even staying up tempo from the original as well!?! Presto! Another bonus indeed. |
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| Yet the final touches and exclamation mark was to be his closing take of "Feeling so real," emphatically sharing the words, "Love lets you feel it now!" And believe me, we all did. A beautifully uplifting disco song according to MOBY himself and rightfully so with smiles and happiness abounding as the lights came on and Blitz emptied as all the proof. Continue the healing process: www.moby.com report by Michael Lara and photo by nishioka. |
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The official site Moby http://www.moby.com/ the latest album ![]() "18" (UK import / 国内盤) ![]() "18 B sides" (US import with Bonus DVD) |
the previous works![]() "Play" (US import / UK import / 国内盤) ![]() "Play : The B sides" (US import)
"Everything Is Wrong"
(US import) "Animal Rights" (US import) "Ambient" (US import) ... ano more and more check the albums? |